The International Guild of Handhooking Rugmakers (TIGHR) began December 4, 1994 in London, England with a group of international friends who decided to establish a world wide group involved in rugmaking. DECEMBER 4, 2014 was our 20th Anniversary and the first International Hook-In Day.
Join in and celebrate our resourceful, artistic, traditions with fellow rughookers this year on December 4, 2015 International Rug Hooking Day and make this an annual event.
Visit our Facebook page for more details TIGHR The International Guild of Handhooking Rugmakers.
We hope you become interested to join in too. The membership will be open by January 1, 2016 for term 2016-2018 with payment online available.
Our MISSION STATEMENT reads:
“The International Guild of Handhooking Rugmakers is a global organization of creative people who come together in friendship to share ideas, and to explore the different techniques of the art of rugmaking using a variety of fibres.”
Each Executive Board comprises members in one country for three years. They lead the organization communicating through a quarterly newsletter, Hooking Matters, this website (www.TIGHR.net), a members only on-line network and conducting our Triennial, a conference/symposium format at the end of their term.
Since 1994, boards and meetings have been in Nova Scotia, Canada 1997; Massachusetts, United States 2000; Toronto, Canada 2003; Tenby,Wales 2006; Louisville, Kentucky, United States, 2009 and in Strathalbyn, South Australia 2012. The 2013-2015 board is based in Victoria, BC, culminating their term with the 8th Tri-Ennial October 4-7, 2015 in Victoria, BC Canada.
The next board is based in Yorkshire, England, for 2016-2018. The theme is Returning to our roots. Below are varieties of rugmaking techniques explored within this organization.
The craft of “Rugmaking” covers many different techniques over the centuries. This organization is interested mainly in the manipulating of fibers (fabric strips in a variety of widths or yarns) by pulling or pushing through an open weave backer. Contemporary artists often use cotton monks cloth/rug warp or linen with approximately 12-15 threads per inch. These natural fibers will maintain a good foundation for years to come. In the past any fabric which could be punctured to pull a loop through was used, leaving the utilitarian/artful creations to deteriorate because the foundation fibers were not strong enough to withstand the elements and stress. Our members have described their techniques and provided terminology on a page under Membership.
A sister craft to quilting, matmaking evolved out of the need to warm spaces and beautify with scraps. Depending on the region’s sources of material, a variety of techniques have developed and flourished worldwide. In the States and Canada wool fabric is most commonly used, resisting wear due to foot traffic, light exposure and changes of temperatures. This material was also commonly available as clothing in the colder climates. Japan’s recycling materials include their silk kimonos. Their styles of hooking are often painterly and traditional using thin strips of wool in a variety of values.
Wider cuts and less use of graduated values are reminiscent of the primitive style of hooked rugs created in America in the very early 1800’s. In the Maritime provinces of Canada and spreading down to New England in the United States, bare floors and wool clothing met the need to hook rugs from recycles. Regions developed styles and particular use of materials. In the 1860’s after the American Civil War patternmakers stenciled designs and peddled them. Today Rug Hooking Magazine publishes articles featuring the multitude of styles/techniques, lists events and workshops and is supported by advertisers.
In Australia and the United Kingdom, the craft is referred to as hooky if pulling with a hook. Another technique using wide strips cut about 3″ in length, and prodded through the backing creating a lush shaggy pile is called proggy or prodded. Pieces of T-shirts, fleece and other synthetics are more available than wool in these countries and found in many a craftsmen’s stash.
Another technique incorporated into mats is standing wool or quilling. A heavy mat is created using wider strips folded in half and sewn down the middle length to the backing, progressively packing more strips to fill the surface in a design. This was used in America prior to hooking through the foundation. Resurfacing these days all over the globe by incorporating circles as flower centers incorporating into a hooked piece or making useful mats.
Benefits to joining this international organization continue to grow. They include a private members online site where we can discuss topics, post group projects and meet members by visiting their personal pages. Skype conference calls between members are another innovative way to access the global techniques and projects our network is involved with. Videos of conference events and presentations by fibre experts are available on the members’ site. The organization is taking advantage of cyberspace and connecting members on social media platforms. The Facebook page is TIGHR The International Guild of Handhooking Rugmakers