Who we are

The TIGHR mission statement reads:

“The International Guild of Handhooking Rugmakers is a global organization of creative people who come together in friendship to share ideas, and to explore the different techniques of the art of rugmaking using a variety of fibres.”

TIGHR’s governing body is the Board, comprising members from one country who take office for three years. They lead the organization and communicate through newsletters, a website, and a members only online community called Mighty Networks. Towards the end of each Board’s three-year term, they organize a Triennial at which members come together face to face, to share ideas and explore the techniques of rug making.

Since being founded in London in 1994, boards and Triennial meetings have been in Nova Scotia, Canada 1997; Massachusetts, United States 2000; Toronto, Canada 2003; Tenby, Wales 2006; Kentucky, United States, 2009; Strathalbyn, South Australia 2012; British Columbia, Canada, 2015 and Reeth, North Yorkshire, England 2018. The 2019-2021 board is based in St John’s, Newfoundland and the 2024 meeting took place in Niagara Falls, Ontario. Our 2027 Triennial conference will be held in Newport, RI.

Members of this guild explore a variety of rugmaking techniques.

The craft of rug making has included many different techniques over the centuries. This guild is mainly interested in the manipulation of fabric strips, in a variety of widths and yarns, by pulling or pushing them through an open weave backing.  Contemporary rug making artists often use cotton monks cloth, rug warp or linen with approximately 12-15 threads per inch – natural fibers will maintain a good foundation for years to come.  In the past any fabric which could be punctured to pull a loop through was used, leading to some utilitarian which deteriorated because the foundation fibers were not strong enough to withstand the elements and stress.

A sister craft to quilting, rug making evolved out of the need to warm up domestic spaces and to beautify the home without incurring great cost.  Depending on the region’s sources of material, a variety of techniques have developed and many of them flourish today.
In the United States of America and Canada, wool fabric is most commonly used – it resists wear due to foot traffic, light exposure and changes of temperatures.  This fiber had the advantage of being commonly available (as discarded clothing) in colder climates.
Japan’s recycled materials include silk kimonos.
Hooked rugs are often painterly, using thin strips of wool.

Wider cuts of fabric are reminiscent of the primitive style of hooked rugs created in America in the very early 1800s.  Originating in the Maritime provinces of Canada and spreading down to New England in the United States, bare floors and wool clothing led to the need to hook rugs from recycled fibres. Regional styles and a preference for particular types of material developed. In the 1860s, after the American Civil War, pattern makers stenciled designs and sold them. Today Rug Hooking Magazine publishes articles featuring the multitude of styles and techniques and it lists events and workshops.

In Australia and the United Kingdom, the craft is referred to as hooky if pulling with a hook. Another technique, using wide strips cut about 3″ in length and prodded through the backing creating a lush shaggy pile, is called proggy or proddy. Cotton t-shirts, synthetic fleece and other fabrics are as readily available as wool in these countries and are found in many a rugmaker’s stash.

Another technique incorporated into rugs is standing wool or quilling.  A heavy rug is created using wider strips, folded in half and sewn down the middle length to the backing. Progressively more strips are packed in to fill the surface of the design.  This technique, used in America prior to hooking through the foundation, is resurfacing all around the world with, for example, rugmakers incorporating circles as flower centres into a hooked piece.

The benefits of joining this international guild include a members-only Mighty Networks platform where we discuss topics, post group projects, and share images and ideas.  Here, members can participate in workshops, live talks, challenge projects, have breakout rooms, and more!

The triennial conference is a way for our members to come together, in person, after three years of online interaction. It’s sure to be a great gathering of friends.

Meet the 2025-2027 Board Members

  • Deana David

    President

    Deana David is the owner Ribbon Candy Hooking and the author of 'Easy, Beautiful Handmade Rugs,' 'Design Like an Artist,' and 'The Haunted Rug.' The Ribbon Candy Hooking YouTube channel runs several live shows a week for rug hookers and hosts classes and online events. Deana founded the facebook group 'Rug Hooking & Punch Needle Club,' and publishes the new hooking magazine, 'Magpie Times.' 

  • Rebecca Martin

    Vice President

    Rebecca the owner of Story Teller Wool, a rug making supply company in Longmont, CO. She is a certified Oxford Punch Needle Rug Hooking instructor and a McGown certified teacher in traditional rug hooking and teaches nationally. Rebecca has written articles for Rug Hooking Magazine, the ATHA magazine and Magpie Times. In the fall of 2023 her book, Rug Hooking in Harmony was published.

  • Naomi Allen

    Treasurer

    I grew up a military brat, and my earliest fiber arts lesson was learning how to crochet from a mom in our stairwell.  That lesson has evolved into a lifelong love of fiber arts, I started rug hooking about fifteen years ago, added in dyeing wool, then creating my own patterns and I haven't looked back.  

  • Hayley Perry

    Communications Manager

    Hayley is a fourth generation rug hooker and the artist behind Loop by Loop Studio, a rug hooking design store in Warren, RI. Hayley has written for multiple fiber art magazines and taught art classes all around New England. Hayley regularly exhibits her fiber art and paintings nationally, including at Worcester University, 3S Artspace, and the Bristol Art Museum.

  • Colleen Tiefenthal

    Secretary

    I am a professional artist and work with many different materials, from painting to mixed media. I have been rug hooking since 2014, when I went to my first hook-in on Middle Bass Island, Lake Erie, with a friend. She introduced me to the craft and as many of us have said, I tried it once and I was hooked! I love sharing art in all its forms with others and rug hooking has become a passion of mine because of how easily it can be shared and the wonderful community in encompasses.